Artistas / Proyectos / Herramientas
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Gestural Interactions for Multi-Parameter Audio Control and Audification.
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Maping the musicla commons
This essay is a speculation on how recent digitization and simulation technologies are providing a means of mapping cultural processes that may contribute to new ways of enclosing the musical commons. Three broad, shifting, and interwoven themes permeate this speculation: contested concepts of ownership between a disorganized and reorganized capitalism; blurred distinctions between cultural products and human processes; living beings between the convergence of technologies for mapping and simulation. By outlining a potential paradigm shift in how people understand music, the essay suggests some new directions for ownership and control of primary cultural resources, especially with respect to embodied and simulated musical processes.
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MOPRIM -Laboratory of COmputer vision and Motion Capture
The general vision is effective Human-Computer-Interaction (HCI), which operates as natural and intuitive as do Human-Human-Interaction. The more specific vision for this project is that visual cues become available for this purpose in a manner similar to that of speech, where speech technology now allows natural languages to play an operational and important
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Cornelius Pöpel
Cornelius Pöpel is professor for audio producing at the University of Applied Sciences Ansbach and working on a part-time dissertation at the University of Birmingham. He is supervised by Dr. Scott D. Wilson and co-supervised by Prof. Dr. Jan Borchers. His research interests lie in music, in general aspects of the relation between men and machines, in sound synthesis, sound processing, and in creating new stringplayer based interfaces for musical expression.
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ANVIL – The video annotation research tool
Anvil is a free video annotation tool, used at research institutes world-wide (see the Anvil User Web). It offers frame-accurate, hierarchical multi-layered annotation driven by user-defined annotation schemes. The intuitive annotation board shows color-coded elements on multiple tracks in time-alignment. Special features are cross-level links, non-temporal objects and a project tool for managing multiple annotations. Originally developed for Gesture Research, Anvil has also proved suitable for research in Human-Computer Interaction, Linguistics, Ethology, Anthropology, Psychotherapy, Embodied Agents, Computer Animation and many other fields.
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ConGAS – Gesture controlled audio systems
The Cost287-ConGAS Action intends to contribute to the advancement and to the development of musical gesture data analysis and to capture aspects connected to the control of digital sound and music processing. Cost287-ConGAS is a COST-TIST action.
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Workshop on Motion Capture for Music Performance
The workshop Motion Capture for Music Performance is intended as an event to exchange results by researchers carrying on projects related to movement analysis in music, including video analysis and annotation, MoCap using 3D trackers or sensor-based data acquisition.
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The Musical Gestures Project
Proyecto ya finalizado cuyo objetivo es encontrar una teoría coherente de relación entre sonidos musicales, gestos humanos y conceptos musicales.
Interesante esta tesis: Correspondences between music and human body movement. De E.Haga.
o esta: Action – Sound: Developing Methods and Tools to Study Music-related Body Movement, de A.R. Jensenius
Actualmente existe un proyecto de continuación llamado fourMs.
motion-e
Proyecto universitario sobre la motion capture y la danza.
BIPED
Proyecto de Merce Cunningham y openended group con vídeo creado a partir de motion capture
Didascalie.net
Compañía francesa que integra nuevas tecnologías en la escena. Un ejemplo: el control de sonido de la obra “Révélations d’une ombre“
Además, han colaborado en el desarrollo de tapemovie, entorno de desarrollo de audio y vídeo en tiempo real.
Jamoma
Plataforma de investigación y performances basadas en arte interactivo
Plateforme Virage
Plataforma de investigación para el estudio y el desarrollo de nuevas interfaces de control y escritura para la creación artística y las industrias culturales.
HOEReographics
Obra de danza interactiva del Theater der Klänge.
GDIF – Gesture Description Interchange Format
Herramienta para el streaming y almacenamiento de información relacionada con movimientos musicales, acciones o gestos.
Speak
Obra multimedia interactiva de Alejandra Ceriani, Fabricio Costa y Fabian Kesler
BigEye – STEIM
Herramienta para transformar información visual en mensajes MIDI (proyecto abandonado)
Music via Motion
Framework para la captura de movimiento y su traducción ene eventos musicales (muy antiguo)
EyeCon
Herramienta de visión artificial que permite lanzar eventos en función de ciertas restricciones visuales. Se ha utilizado en trabajos de la compañía Palindrome.
Mapping is not Music – IRCAM
Librerías de Max / MSP para reconocimiento y catalogación de movimiento, música y datos.
SoftVNS – David Rokeby
Librerías de Max de visión artificial (tracking de cabeza, tracking de colores, etc)
Mudanx – Stan Wijnans
Laboratorio de danza interactiva.
DanceSpace
Instalación/Herramienta de visión y mapeo a parámetros sonoros
ShapeSynth,
utiliza métodos de síntesis de sonido para ser aplicados a estructuras en 3D
Papers/Tesis
Making Motion Musical – Tedd Winkler
Contrôles Gestuels Bimanuels de Processus Sonores – Loïc Kessous
Human Movement Tracking – Axel Mulder
Virtual Musical Instruments – Accesing the Sound Synthesis Universe as a Performer - Axel Mulder (antiguo)
Monalisa: “see the sound, hear the image” – Kazuhiro Jo, Norihisa Nagano
Golan Levin, en todo su trabajo se encuentran referencias muy interesantes a las asociaciones que se pueden establecer entre la información visual y la sonora. Las que más pueden aportar al proyecto ONA son Yellowtail, Floo o Messa di Voce.
Textos interesantes:
Computer Vision for Artists and Designers: Pedagogic Tools and Techniques for Novice Programmers
Su tesis, “Painterly Interfaces for Audiovisual Preformance“.
A personal Chronology of Audiovisual Systems Research
